''...Most popular music releases are compressed to about 20 to 30 dB, regardless of the dynamic
range the format is capable of handling. With vinyl LPs, this was done because of mechanical
and nolise limitations of the medium. Excessive dynamic energy made the stylus jump out of the
LP’s grooves. Therefore, stereos that were made to play LPs were designed to handle no more
than this narrow dynamic range. Anything more would have been unnecessary. Today, several
formats are capable of HUGE dynamic ranges, yet most stereo systems still have narrow
dynamic range capability. Why? Cost and size. A wide dynamic range stereo is costly and its
speakers are often as large as a person. Most listeners, as a result, have become so accustomed to
hearing highly-compressed music that most will be turned off by recordings with naturalsounding
dynamics. Audiophiles are listeners who have become accustomed to hearing
uncompressed recordings or live acoustic music performances. They are turned off by recordings
with compressed dynamics and they’re willing to pay for the expensive and large stereos that can
handle the wide dynamic range of uncompressed recordings...''